May 15th, 2025
Modified Ghost presents
Modified Ghost Festival: Obscura
Atheist, Origin, Decrepit Birth, Fractal Universe, Bayonet Dismemberment
+19 (with 2 pieces of govt issued ID)
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DOORS: 6:00PM
Get ready for a wild night of progressive, technical, and brutal death metal as Obscura headline the first night of this years Modified Ghost Fest with Atheist, Origin, Decrepit Birth, Fractal Universe & Bayonet Dismemberment!
Obscura
With A Sonication, Germany-based metal band Obscura launch the second of their trilogy concept. The group’s second (seventh overall) album for Nuclear Blast pivots on many fronts. Advanced, elegant, and yet refreshing, „A Sonication“ sums up past endeavors effortlessly as it gazes with purpose and conviction into the future. Obscura are fan-renowned and critically acclaimed for challenging and then expanding upon norms. From Retribution (2004) through A Valediction (2021), the band flourished and made significant progress in a musical genre unprepared for a creative shot of German invention. „A Sonication“ spearheads Obscura into a new era of extreme metal.
Guitarist/vocalist Steffen Kummerer founded Obscura in 2002. Early on, he set out to improve, redefine, and push forward. Under his self-label creation, the Bavarian released debut album Retribution (2004), followed by heavy touring throughout Europe. Word quickly spread that a brand-new band from the south of Germany was on the rise. Buzz lead to a deal with U.S.-based Relapse Records. The first record out was Cosmogenesis. In Europe, Metal Hammer Germany awarded the album 6/7 while in the U.S. Cosmogenesis hit the Billboard charts at #71. The cross-continental praise and fevered momentum landed Obscura on high-profile tours in Europe, North America, and Japan.
When follow-up Omnivium arrived in 2011, they upped their chart success (Billboard #11; Media Control #14), received more accolades from publications like Terrorizer, Rock Hard, and Decibel, had another massive round-world tour cycle, while enhancing and making progress on their clever brutality. Obscura further developed their sound on Akróasis (2016). Moored by jaw-dropping tracks like “Sermon of the Seven Suns,” “Ode to the Sun,” and the title track, Akróasis elevated Obscura to the highest levels of international renown, having climbed up the Billboard charts (#5) as well as earning top marks in Rock Hard (8.5/10), Metal Hammer Germany (6/7), and Revolver (4/5). The Germans toured the world yet again, playing over 100 shows in support of Akróasis.
Obscura’s most significant accomplishment was, however, just around the corner. The final part of a tetralogy, Diluvium (2018), fiercely pursued Obscura’s multi-album transformation into musical innovators and metal powerhouses. Music videos for the title track, “Emergent Evolution” and “Mortification of the Vulgar Sun,” in concert with a substantial interest in virtuosic, forward-thinking metal, posited Obscura in the good graces (yet again) of the worldwide press in addition to rocketing up, for the very first time, the official album charts in Germany (#58) and Switzerland (#93). The Germans also topped out at #3 on the Billboard Heatseekers chart with Diluvium.
A turning point in the career of the Germans manifested with the first release for the biggest independent metal label on the planet, Nuclear Blast Records. „A Valediction“ granted the band worldwide success, topping their previous albums in a heartbeat, and saw the band climbing higher chart positions worldwide. With epic opening track „Forsaken“, technical-through the roof „Solaris“ and the catchy, melodic and yet accessible title track, „A Valediction“ established the group as outstanding and energetic live act, to be proved by their first tour to cover South- and Central America, aside touring relentlessly throughout Europe, North America and Asia.
Obscura’s stats have been impressive: Twenty-two years active; seven highly prized albums; over 800 shows on four continents. Worldwide fan and press engagement—the videos for “The Anticosmic Overload,” “Akróasis,” and “Diluvium” have over 5 million views—is only getting stronger the longer Obscura continue to offer up and interact with (via play-throughs and member/gear spotlights) their very captive audience. This is only the tip of Kummerer’s custom ESP guitar, however. A Sonication finds Obscura turning the page to a new chapter in the band’s evolution. A year in the works, the songwriting sessions followed a new approach, where the framework was relaxed, allowing new inspirations, imagining, and opportunities to arise. Songs like the opening hit “Silver Linings,” the groove oriented “Evenfall”, the brutal groove of “The Sun Eater” the bitter-sweet fragility of “Stardust,” and the melancholic while melodic title track benefitted compositionally and aesthetically from Obscura’s restyled songwriting stratagem.
Obscura wrote, recorded, and finalised „A Sonication“ during the world wide touring activities in support of their previous album. Once the instruments were completed and tracked, the recordings were shipped off to award-winning producer Fredrik Nordström and Studio Fredman (In Flames, Bring Me The Horizon, Architects) in Gothenburg, Sweden, where Kummerer completed vocals and acoustic guitars using custom-built ENGL amps. Nordström was also tapped to mix and master. The final result is a wide, heavier, yet more bright production.
Atheist
ATHEIST are considered the architects of the technical death metal genre. Alongside bands such as DEATH and later CYNIC, they would together define a sound that is a pillar of heavy music intensity and musical prowess – progressive technical death metal.
Originally forming as a thrash metal act called Oblivion, then later becoming R.A.V.A.G.E, the band were a product of the highly active Florida death/thrash metal scene in the mid to late 80’s.
Origin
https://www.originofficial.com/band
United States-based tech-death masters Origin strike again with their new album, Chaosmos. The long-standing outfit celebrate not only a return to Nuclear Blast but also ring in their 25th year on Chaosmos. The same fury, brutality, and musical savvy that brought Origin critical acclaim and a devout fanbase on Unparalleled Universe (2017), Antithesis (2008), and Origin (2000) returns with reinvigorated intensity, passion, and skill. In 2022, the group—Paul Ryan (guitars/backing vocals), Mike Flores (bass/backing vocals), John Longstreth (drums), and Jason Keyser (lead vocals)—are undeterred by unprecedented roadblocks and global uncertainty as they push forward. Indeed, Origin’s new-era shock and awe mission is complete on Chaosmos.
Decrepit Birth
For the better part of their 16-year existence, California-based death metallers Decrepit Birth haven’t followed the rules. From debut album, 2003’s …And Time Begins, to new album, Axis Mundi, they’ve shuffled the tried and true tenets of death metal into something defiantly other. Certainly, the Surf City denizens have written and continue to write—check out the pit-destroying ‘Transcendental Paradox’ off Axis Mundi—brutally brutal music, but after years of purveying labyrinthine riffs and blasts at light-suffering speeds, they’ve transcended, they’ve transformed, they’ve gone beyond. Decrepit Birth in 2017 aren’t entirely the same band that unfurled …And Time Begins in their twentysomethings.
Fractal Universe
https://www.fractaluniverseband.com/
Merging brutal physical power with an unerringly precise attack, Decrepit Birth are a technical death metal band from Santa Cruz, California. The band’s story begins in the mid-’90s, when vocalist Bill Robinson met guitarist Matt Sotelo, and the two discovered they shared an ambition to create truly uncompromising music. In 2001, things got serious when Robinson and Sotelo teamed up with bassist Derek Boyer and began assembling material. By 2003, the band had developed a reputation for their striking live shows, and they released their debut album, … And Time Begins, with the three musicians joined by drummer Tim Yeung. Yeung didn’t last long with the group, and in 2004 K.C. Howard became their new drummer. After extensive touring, Sotelo began writing material that gave Decrepit Birth a more melodic sound without cutting back on their ferocity. The result was their second full-length album, 2008’s Diminishing Between Worlds. While Joel Horner was playing bass with the band by this time, he didn’t appear on the album, with Sotelo playing bass and keyboards as well as guitar. By Decrepit Birth’s standards, their next album was completed quickly, with Polarity released in 2010 by respected metal label Nuclear Blast; the Robinson/Sotelo/Horner/Howard lineup was supplemented in the studio by guitarists Dan Eggers and Ty Oliver and drummer Lee Smith. By the end of 2010, Sam Paulicelli became the group’s new drummer, replacing KC Howard, and Sean Martinez took over from Horner on bass in 2013. While Decrepit Birth toured hard in support of Polarity, the group took a break after Sotelo became a father for the first time and wanted to stay home with his young son. However, he didn’t stop writing new songs while on paternity leave, and with Sotelo and Martinez recording in their respective home studios and Paulicelli cutting drum tracks at a studio in Canada, Decrepit Birth returned in 2017 with the album Axis Mundi.