December 5th, 2025
The Rickshaw & The Invisible Orange presents
Ozzy's Birthday Bash - Fundraiser for Parkinson Society BC
WORSE, Bloodrhine, Dagger, Bend Sinister, Space Queen, Michael Slumber
+19 (with 2 pieces of govt issued ID)
Also available in-store at: Red Cat Records and Neptoon Records
RSVP to the event on Facebook
Doors: 7:00pm
Vancouver’s rock and metal bands gather to celebrate the Prince of Darkness.
Featuring WORSE, Bloodrhine, Dagger, Bend Sinister, Space Queen, and Michael Slumber performing their favourite Ozzy & Black Sabbath tracks!
Proceeds from ticket sales will be donated to the Parkinson Society BC.
WORSE
Featuring Shane Clark and Matt Wood, former members of Canadian rock royalty Pride Tiger and 3 Inches of Blood, Worse is bound to be your next heavy-as-hell obsession. There are flecks of various metal subgenres here and there, but the band’s true strength is the ability to blister with just relentless riffs, hammering drums and raw howls.
Bloodrhine
“Taking influence from thrash, punk and stoner metal, Bloodrhine’s riff-centric sound is as heavy and thick as it is accelerative and hostile.” – Range
Featuring members of Black Wizard, BISON & 1982.
Dagger
https://linktr.ee/daggertheband666
It’s blue jeans, it’s leather jackets, it’s pointy boots, it’s the New Wave Of British Columbian Heavy Metal… it’s DAGGER.
Bend Sinister
https://www.bendsinisterband.com/
Labeled as anything from math to prog to pop but feeling most comfortable in the plain guise of rock, Vancouver’s own Bend Sinister has evolved through numerous styles and absorbed a plethora of influences to become a band so refreshingly original that the struggle to categorize them is a losing battle.
Space Queen
https://www.wearespacequeen.com/
Space Queen is a heavy rock power trio comprised of Jenna Earle (guitar/vocals), Seah Maister (bass/keys/vocals) and Karli MacIntosh (drums/vocals) Space Queen takes the trio’s signature haunting vocal harmonies and sends them soaring over a cosmic canvas of neo-psychedelic rock. Driving beats from MacIntosh provide an anchor for Earle’s heavy distortion and 70s-style riffs, while Maister keeps everything grounded on fuzzed-out, gnarly bass.